|
1)
Preliminary drawing study for composition. The rapidly melting snow
is a primary
concern in this composition. |
|
2) Detail, top right half of drawing study. Grid was added
to drawing, as a guide for scaling up, drawing out the composition in
charcoal on the canvas. |
|
3) Charcoal
drawing
on canvas. A thin layer of warm white lead paint has been applied
to the sky, to enhance what might be subtle contrast with colder white
snow. |
|
4) Working
in the van, on the top part of the painting. Much of the non-snow areas
have been toned with thin umber-earth red. |
|
5) Working under the tarp, the painting develops. |
|
6)
End of June 2005 state of the painting, overall view. Note that the
foreground was redrawn in charcoal. As summer foliage arrived, on-location
work was halted, to be resumed the following Spring, in 2006. |
|
7)
June 2005 Detail, upper left. Non-snow areas have been painted with
burnt umber, then
snow areas painted with Cremnitz lead white ground in cold-pressed
linseed oil.
|
|
8)
June 2005 detail of lower right. Modeling with greens and browns. |
|
9)
Rain tarp worksite. Some
of the work is done from inside my mobile studio stepvan, out of
the
wind, rain
and mosquitoes. Much of the work on this painting was done
from
a more favorable viewpoint downhill from the van, working under
this protective rain tarp. |
|
10) Tarps
were quickly added to sides in the first rain storm. Rain's ok. Strong
wind is the difficulty. |
|
11) "What
did you eat?" Answer: Grandpa Spence's World Famous Pancakes most
every morning! Tasty and energy-packed, made with fresh-ground whole
grains. |
|
12) ...with
lots of blackstrap molasses, and hot tea. |
|
13)
June 2005, along came Pete Springer, southbound on 11,000 mile round-trip
bike ride,
San Diego to Prudhoe Bay and back. |
|
14)
The stepvan is home-away-from-home. Making late
breakfast in the outdoor kitchen.
Photo by Pete. |
|
15)
Early June 2006, work resumed. Working under the tarp,
more snow patches were added and some non-snow areas adjusted. From
a different viewpoint, bottom portion of the
painting
was
again
redrawn.
So, this painting is a merging of two views. |
|
16)
At end of June 30, 2006. Overall view. Work is nearing
completion. After this update photo was made, the sky
paint was
scraped off and the sky was repainted. Subtle transparent color tones
of midnight twilight were added throughout the painting. |
|
17)
June 2006 detail, top left, before repainting the sky and other refinements.
Additional snow patches added. |
|
18)
Closer detail of top left. All snow edges are still being refined with
another layer of more carefully applied Cremnitz lead white. |
|
19)
June 2006 detail, top right, before repainting the sky. |
|
20)
June 2006 detail, bottom left. |
|
21)
June 2006 detail, bottom right. |
|
22)
Final detail, Sept. 2007, after the sky was again repainted, and a dark
tone was added to mid-distance, and all work is now complete. Detail
is looking down into the valley at lower right, and shows the texturing
and shaping of the paint to create the volume of space in this painting. |